Simmelibärg-Suite
6 new pieces based on well-known Swiss folk songs
for accordion and chamber orchestra
ORCH90b Orchestra score - CHF42.00 (Print)
Helena Winkelman (*1974)
1(+picc).1(+eh).1(+bcl).1 - 0.0.0.0. - strings
July 7, 2024 | Riehen, Switzerland. Viviane Chassot (accordion), Kammerorchester Basel, Julia Schröder (conducting).
July 4, 2024 | Hiroshima, Japan. Viviane Chassot (accordion), Kammerorchester Basel, Andreas Ottensamer (conducting).
July 3, 2024 | Osaka, Japan. Viviane Chassot (accordion), Kammerorchester Basel, Andreas Ottensamer (conducting).
July 2, 2024 | Tokyo, Japan. Viviane Chassot (accordion), Kammerorchester Basel, Andreas Ottensamer (conducting).
July 1, 2024 | Tokyo, Japan. Viviane Chassot (accordion), Kammerorchester Basel, Andreas Ottensamer (conducting).
June 30, 2024 | Shizuoka, Japan. Viviane Chassot (accordion), Kammerorchester Basel, Andreas Ottensamer (conducting).
February 26, 2023 | Bern, Switerzland. Viviane Chassot (accordion), Orchester Divertimento Bern, Cliodhna Ni Aodain (conducting).
February 25, 2023 | Bern, Switerzland. Viviane Chassot (accordion), Orchester Divertimento Bern, Cliodhna Ni Aodain (conducting).
September 30, 2022 | Winterthur, Switzerland. Viviane Chassot (Accordion), Musikkollegium Winterthur, Bogdan Bozovic (conducting).
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song.
These are by no means just new arrangements, each tune finds itself at some point on a somewhat strange and winding path. It then appears in a completely different light.
Helena Winkelman does not, however, give up the exuberant atmosphere of a quodlibet or a crazy dance party. She establishes a bridge between the tradition and the present on which the depth of the human soul and humour dance together in harmony.
A work written for the accordionist Viviane Chassot on commission from the Musikkollegium Winterthur.
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song.
These are by no means just new arrangements, each tune finds itself at some point on a somewhat strange and winding path. It then appears in a completely different light.
Helena Winkelman does not, however, give up the exuberant atmosphere of a quodlibet or a crazy dance party. She establishes a bridge between the tradition and the present on which the depth of the human soul and humour dance together in harmony.
A work written for the accordionist Viviane Chassot on commission from the Musikkollegium Winterthur.