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The Bach Book for Trumpet
25 solos, 8 duets, 2 trios for trumpet and bass instrument by Nick Norton
A compilation of 35 of J.S. Bach's most beautiful melodies, either for trumpet alone or for 1 or 2 trumpets with bass accompaniment. Audio examples and audio accompaniments are available on SoundCloud.
Aria BWV 1 Aria BWV 1
Gavotte BWV 816 Gavotte BWV 816
Sleepers Awake BWV 645 Sleepers Awake BWV 645
The Magic Horn
9 duets for 2 horns by Corrado Maria Saglietti
An exciting mix of technical virtuosity and stylistic variety, in a collection of 9 duets which are both challenging and fun to play. Reveal the magic of the horn, with its astonishing range, dynamics and colors.
1. Tango 1. Tango
6. Appassionato 6. Appassionato
5. Take It Easy 5. Take It Easy
New and recent
Gemini Concerto
11 short scenes in three movements
for 2 violins and orchestra
Helena Winkelman
For Cam
for flugelhorn and organ
Anthony Plog
Balada
in Barcelona
for 2 trumpets and piano
Charles Reskin
The Bach Book for Trumpet
25 solos, 8 duets, 2 trios
for trumpet and bass instrument
Nick Norton
Intermezzo
from Cavalleria Rusticana
for horn quartet
Pietro Mascagni
Sonata 1
for violin and piano
Richard Lane
Quattro Canti
for 4 flutes
Jost Meier
Klavierquartett
for violin, viola, cello and piano
Jost Meier
The Magic Horn
9 duets
for 2 horns
Corrado Maria Saglietti
3 Fantasias
no. 7, 8, 9 from 12 Fantasias for violin
for tuba solo
Georg Philip Telemann
3 Fantasias
no. 7, 8, 9 from 12 Fantasias for violin
for euphonium solo
Georg Philip Telemann
3 Fantasias
no. 7, 8, 9 from 12 Fantasias for violin
for trombone solo
Georg Philip Telemann
3 Fantasias
no. 7, 8, 9 from 12 Fantasias for violin
for horn solo
Georg Philip Telemann
3 Fantasias
no. 7, 8, 9 from 12 Fantasias for violin
for trumpet solo
Georg Philip Telemann
Bicinia
25 Renaissance Canons and Duets
for 2 trumpets
Raymond Mase
Concerto Grosso
La minore
for tuba, strings and basso continuo
Dominique Roggen
Messe brève
for mixed choir and organ or brass choir
Etienne Crausaz
Happy Birthday, Major Ludwig
Kinetic Music
for orchestra
Judit Varga
Sounds of Generation Y, Part II
for cimbalom and symphony orchestra
Máté Bella
Bestsellers
Warm-ups + technical routines
for trombone
Branimir Slokar
Fun for the Young Trumpeter
6 easy pieces
for trumpet and piano
Etienne Crausaz
Jeux d’enfants
for flute and piano
Jean-François Michel
Elegy
for violin and piano
Richard Lane
3 Bagatelles
for clarinet solo
Áskell Másson
11 Jazz Miniatures
for piano
Véronique Piller
Sonata
“at the end of the century”
for trombone and piano
Juraj Filas
Piano Concerto No 1 for Children
for piano and chamber orchestra
Ilia Chkolnik
Etudes & Duets Book I
50 Etudes & 19 Duets
for trumpet
Anthony Plog
Pearls II
for euphonium (trombone) and piano
Roland Szentpali
Sonata
Vox Gabrieli
for trombone and piano
Stepjan Sulek
Cascades
for euphonium solo
Allen Vizzutti
Rumanian Dances N° 1 - 6
for tuba and piano
Dumitru Ionel
3 Arias
for trumpet, soprano voice and keyboard
Georg Friedrich Haendel
Ghost Riders
for 8 brass instruments
Kerry Turner
The Buzzing Book
Complete method
for trumpet with MP3 accompaniment
James Thompson
The Jon Sass Bassline Book
for tuba and play along
Jon Sass
Concerto
for violin and string orchestra or piano
Alexander Arutiunian
Latino Carmen
for flute and piano
Roland Szentpali
Canzona
for cello and piano
Richard Lane
Our favorites
A Very Short Love Story
for trumpet and piano
Juraj Filas
Les Adieux
for violin and piano
Juraj Filas
2 Pieces
for trombone quartet
Alexander Arutiunian
Solissimo III op. 103
for clarinet solo
Julien-François Zbinden
Requiem
Oratio spei
for soprano, tenor and baritone soli, choir and orchestra
Juraj Filas
Cádiz
from Suite Española op. 47
for brass quintet
Isaac Albéniz
Ecce tu Pulchra es
for mixed choir a cappella
Dominique Gesseney-Rappo
Cheval de Feu
for brass quintet
Jacques Loussier
Pilger und Fuchs
Commedia musicale, andante cantabile, ma pericoloso
for 6 solo voices and orchestra
Jost Meier
Sonata no. 2
for flute and piano
Vartan Adjemian
By Gaslight
for euphonium and piano
Tadeusz Kassatti
The Haunted Palace
for soprano and piano
Anthony Plog
Musique Concertante
for symphony orchestra
Jost Meier
Sinfonia à 6
for chamber orchestra
Johann Gottlieb Graun
Autumn
from Seasons for Brass Quintet
for tuba and piano
John Stevens
Less Word but Soul
for euphonium, alto saxophone and piano
Tadeusz Kassatti
Moto Perpetuo
for violin and piano
Evzen Zamecnik
Celebration
for flute, clarinet, alto sax, 2 trumpets, trombone, tuba, timpani and percussion
Pascal Favre
Glarus
for string orchestra
Jost Meier
Konzert op. 95
for 4 horns and orchestra
Jan Koetsier
Bicinia
25 Renaissance Canons and Duets for 2 trumpets
Bicinia, two-part music of the Renaissance and early Baroque, were pieces frequently used for teaching of counterpoint and style. For modern trumpeters, they are challenging and valuable resources in the training of rhythmic flexibility, imitation, and musical expression. These editions include the addition of dynamics, articulations, and suggested tempi and style.
Concerto Grosso
La minore for tuba, strings and basso continuo
The first and second movements of these concerti are reminiscent of a typical instrumental concerto from the early 18th century. The final movements are usually humorous in character, and contain references to music of the present day, to Swiss folklore, and sometimes even to pop music and jazz. The present Concerto Grosso for Tuba, Strings and Basso Continuo is the sixth concerto in this series. Notable within the final movement, a fugue, is the easily recognizable folk song, Vo Lozärn gäge Wäggis zue [From Lucerne to Weggis]
Sounds of Generation Y, Part II
for cimbalom and symphony orchestra
The musical structures used in the composition are characteristic of the American minimalism in many of their aspects, making the piece more comprehensible even for an audience less familiar with contemporary classical music. Swedish pop music had a strong influence on the direction of chords sequences and the rhythmic ideas of my composition. However, it is important to note that my main purpose was not to make the orchestra play popular or dance music but to explore how the musical elements found in popular music can be integrated into the orchestral sounding.