Digital version with
View, annotate and share with the Newzik app. Print and download capabilities are not available. Requires a Newzik account (free)
Digital sheet music
Digital versions purchased on our website will be available within 24 hours in the Newzik application.
PDF download and print capabilities are not available.
1. If you don't have a Newzik account yet (free), you can download the application here or register via their web interface.
2. Create a Newzik account (without using Apple or Facebook login) with the same address you used to place your order.
3. If you already have a Newzik account and the email address is different from the one used to place your order, please send us with the Newzik address.
4. Orders for digital products are usually available within 24 hours in your Newzik library from Monday to Friday (GMT +2). Orders placed on weekends or holidays will be available the next working day.
5. View this product with the Newzik app for iOS or their Web interface to view, annotate and share the score. Print capabilities from Newzik are not available.
Rolf Quinque (*1927)
Rolf Quinque was born in 1927, and studied at the Leipzig Musikhochschule. Principal trumpet of the Leipzig Gewandhaus Orchestra, then of the Munich Philharmonic Orchestra, his solo concert tours - playing the most demanding works of the baroque, classical and contemporary repertoire - won him considerable acclaim, in particular at the major European festivals (Vienna, Salzburg, Bregenz, Berlin,...
Embouchure building & High register training
In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit.
From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough.
You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.
- Editions Bim