Caroline Charrière
Age de saison
for mixed choir (SATB) a cappella
Agnus Dei
for women choir
Au coeur du Tibet
for alto saxophone and guitar
Concertino
for trumpet (C or Bb) and chamber orchestra
Cowboy and double cream
for mixed choir
Credo
for mixed choir SATB a capella
Du Livre pour toi
Cycle de 12 mélodies
for mezzo soprano and piano
Eau calme, eau vive
for 3 flutes
Femmes de Jérusalem
3. Marie de Magdala
for mixed choir a cappella
Femmes de Jérusalem
4. Véronique
for mixed choir a cappella
Femmes de Jérusalem
2. Marie
for mixed choir a capella
Femmes de Jérusalem
5. Marthe
for mixed choir a capella
Flowing
for 8 saxophones
La Forêt enchantée
for 2 harps
La voix meurtrie
for alto/soprano saxophone and piano
Le Temps
Suite
for string orchestra
Libera me
for women choir, 2 horns and harp
Mila
for women voices
Miniature
for alto saxophone and piano
Mon Secret
for mixed choir, solo baritone and harp
Naissances
for symphony orchestra
Petit secret
for piano
Petite Suite
for flute and piano
Psaume 27
for women choir and harp
Quatuor Ophelia
for string quartet
Suissitude
1. Réminiscences
for mixed choir and cornetto
Suissitude
2. Meiteli
for mixed choir, clarinet, violin, cello, bass and Hackbrett
Suissitude
3. Dorma
for mixed choir, clarinet, violin, cello, bass and Hackbrett
Suissitude
4. Girometta
for mixed choir, clarinet and violin
Tenebrae factae sunt
for mixed choir
Tranquillo - Agitato
for alto saxophone and piano
Trauerfarben und Verklärung
for chamber orchestra
Undine et Ondine
for women choir, flute and harp
Une minute
for guitar
Caroline Charrière (1960-2018)
Born 1960 in Fribourg (Switzerland), Caroline Charrière has accomplished flute studies at the Lausanne Conservatory (with Pierre Wavre) and completed them with Aurèle Nicolet and at the Royal Northern College of Music in Manchester (England). During the same time, she followed orchestration and composition studies with swiss composer Jean Balissat. She received also an orchestra conducting diploma at the Lausanne Conservatory with Hervé Klopfenstein in 1994.
She is teaching at the Fribourg Conservatory and conducts the Choeur de Jade (choir).
Since autumn 2000, Caroline Charrière dedicated her career entirely to composition. Important commissions - particularly in 2001 the one by the Pro Helvetia Foundation for the Oratorio «Le livre de Job» [the Book of Job] -, and wellknown performers (a.o. Brigitte Balleys, the Amar Quartet, the French vocal ensemble Kantika) have confirmed her choice. Her catalog of works includes recital pieces, chamber music, choral and orchestral works.
Undine et Ondine
for women choir, flute and harp
Undine & Ondine Undine & Ondine
Petite Suite
for flute and piano
I. Contrastes I. Contrastes
II. Vocalises II. Vocalises
III. Suspense III. Suspense
Naissances
for symphony orchestra
Naissances Naissances
La voix meurtrie
for alto/soprano saxophone and piano
La Voix Meurtrie La Voix Meurtrie