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Áskell Másson (*1953)

Biography

Áskell Másson

Played by the best orchestras, ensembles and soloists, his music reflects a powerful sense of drama. The variety of rhythms and sounds, the combination of lyrical and percussive moments, give to his compositions a unique intensity.

Áskell Másson (b. 21. November 1953) is amongst Iceland´s leading composers. With a varied background as a woodwind player and percussionist, he was appointed composer and instrumentalist of the Ballet of the National Theatre in Reykjavik in l973 and in his early tventies he worked considerably in the theatre though always composing concert music. 

His early works were often heard at Scandinavian music festivals from 1974 and onwards, but in 1980 his Clainet Concerto was presented at the Rostrum of Composers in Paris, and being a specially recommended piece by a composer under the age of thirty, this was an important recognition of his compositional work. 

In the seventies, he was a pioneer in the field of percussion in Iceland and elsewhere, playing and composing, using new methods and instrumental combinations and techniques. 

In 1978-1983 he worked as a producer at the Iceland State Radio after which he has devoted his time exclusively to composition. 

He was Secretary General of the Society of Icelandic Composers in 1983-85, and President/Vice President of the Performing Rights Society (STEF) l989-99 being still on the board today. 

After his childhood studies in music he went to London to study privately percussion with the renowned James Blades and harmony and counterpoint with Patrick Savill. 

He has worked with some of the finest soloists (Christian Lindberg, Evelyn Glennie, Ole Edvard Antonsen, Roger Woodward) orchestras (New York Philharmonic, Cleveland Orchestra, Wienna Radio Orchestra, BBC Scottish Symphony, Oslo Philharmonic) and conductors (Esa-Pekka Salonen, Leif Segerstam, Leonard Slatkin, Jerzy Maksymiuk) in the world, often staying periodically in artists´residences worldwide.

His music has been described as: 

“...ethereal in sound and has an expressive character that is withdrawn yet full of intensity” (Okto November for strings) 

”Extremely unusual sounds reminiscent of both the human voice and of electrical instruments” (Helfro for percussion) 

“a gem” (Blik for solo clarinet) 

Göran Bergendal, New Music in Iceland

“.. an essential lyricism coupled with a seductive, even sensous manipulation of sound” (an all Masson concert in the Wigmore Hall, London) 

Geoffrey Norris, The Daily Telegraph.

(Masson)”…has extraordinary insight into the unique attributes of each instrument for which he writes…” 

Hilary Finch, Nordic Sounds. 

His music has been heard at festivals all over the world including the Gulbenkian Festival, ISCM World Music Days, Hong Kong Arts festival, Sydney Spring Festival, Nordic Music Days, Blossom Festival, Cleveland and many more

Works

Audio

Frum A Drum Song
for solo percussion

Frum

Duettino
for 2 clarinets

Duettino

Twilight
for cello and darabuka

Twilight

Tromma
for 2 percussions

Tromma

Sinfonia Trilogia Hyr - Ra - Hvel
for symphony orchestra

Hyr

Shadows
for solo trumpet and brass quintet

I. Andante Moderato
II. Lento
III. Comodo Ma Deciso

Quatrain
for 4 saxophones solo, tubular bells and string orchestra

Quatrain

Prím
for snare drum solo

Prim

Októ Nóvember
for string orchestra

Okto November

Marimba Concerto
for marimba and orchestra

Marimba Concerto

Maes Howe Tuba Concerto
for tuba and chamber orchestra

Maes Howe

Larghetto
for organ

Larghetto

Konzertstück
for snare drum and percussion ensemble

Konzertstück

Konzertstück
for snare drum and symphonic wind band

Konzertstück

Konzertstück
for snare drum and piano

Konzertstück

Konzertstück
for snare drum and brass band

Konzertstück

Konzertstück
for snare drum and orchestra

Konzertstück

Hrim
for cello solo

Hrim

Elja
for chamber orchestra

Elja

Crossings Double Concerto
for 2 percussions and orchestra

Crossings

Cosmic Tree
for marimba and 3 percussionists

Cosmic Tree

Canto Nordico Trombone Concerto
for trombone and orchestra

Canto Nordico

Aura
for percussion solo

Aura

Alfasteinn
for piano

Alfasteinn

A voce sola
for viola solo

A Voce Sola

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