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25 Renaissance Canons and Duets for 2 trumpets by Raymond Mase
Bicinia, two-part music of the Renaissance and early Baroque, were pieces frequently used for teaching of counterpoint and style. For modern trumpeters, they are challenging and valuable resources in the training of rhythmic flexibility, imitation, and musical expression.
Giuseppe Giamberti, Cantilena Giuseppe Giamberti, Cantilena
Heinrich Faber, Canon Heinrich Faber, Canon
Martin Agricola, De Profundis Martin Agricola, De Profundis
La minore for tuba, strings and basso continuo by Dominique Roggen
Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, and style. Notable within the final movement, a fugue, is the easily recognizable folk song, Vo Lozärn gäge Wäggis zue [From Lucerne to Weggis]
I. Allegro I. Allegro
II. Adagio II. Adagio
III. Fuga III. Fuga
New and recent
A Drum Song for solo percussion
In Icelandic, Frum means primary or embryo. This catching piece includes many percussion technics: single and double strokes, paradiddles, rolls, polyrhythms, and a variety of attacks, among others. Frum showcases the performer hence its widespread use in competitions and recitals.
for trumpet and organ
René Oberson dedicated "Homo Somniens" [the man who dreams] to the trumpeter Jean-François Michel, who commissioned the work. The subtitle: "Man does not live, he is lived by his dreams, his chimeras ...". The titles of the four dreams are subjective; The four movements will perhaps arouse other dreams among the listener, who has his own sensitivity.
for brass band
This work, conceived in a masterful style of contemporary jazz, is a new musical and technical challenge for the world of Brass Bands. Thanks to this challenging spirit the world of brass bands is constantly developing this amazing musical virtuosity that characterizes it’s movement.