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Solo de Trombone
for trombone and piano by Charles Gounod
Unpublished original work for trombone! Set piece at the Paris Conservatoire in 1855.
Solo de Trombone Solo de Trombone
The Magic Tuba
9 Duets for 2 Tubas for 2 tubas by Corrado Maria Saglietti
9 advanced duets for 2 tubas. Have fun!
1. Tango 1. Tango
9. Galop 9. Galop
5. Take It Easy 5. Take It Easy
New and recent

Animal Ditties I
for trumpet, narrator and piano
Anthony Plog

Animal Ditties IX
for tuba, narrator and piano
Anthony Plog

Ncore
for euphonium and piano
Roland Szentpali

The Magic Tuba
9 Duets for 2 Tubas
for 2 tubas
Corrado Maria Saglietti

Solo de Trombone
for trombone and piano
Charles Gounod

Solo de Concert
for trombone and piano
Paul Antonin Vidal

Premier Solo
for trombone and piano
Henri Hippolyte Potier

Solo de Concert
for trombone and strings or piano reduction
François Bazin

The Colloquists
for brass quintet
Laurie Altman

Simmelibärg-Suite
6 new pieces based on well-known Swiss folk songs
for accordion and chamber orchestra
Helena Winkelman

Impromptu
for piano
Helena Winkelman

Sami’s piece
for piano
Helena Winkelman

Sonatina
for euphonium and piano
Etienne Crausaz

Gemini Concerto
11 short scenes in three movements
for 2 violins and orchestra
Helena Winkelman

For Cam
for flugelhorn and organ
Anthony Plog

Balada
in Barcelona
for 2 trumpets and piano
Charles Reskin

The Bach Book for Trumpet
25 solos, 8 duets, 2 trios
for trumpet and bass instrument
Nick Norton

Intermezzo
from Cavalleria Rusticana
for horn quartet
Pietro Mascagni

Sonata 1
for violin and piano
Richard Lane
Bestsellers

Thumbarena
for clarinet and piano
Stanley Friedman

Extended Flexibility
for trumpet & other valved brass instruments
Raymond Mase

Prím
for snare drum solo
Áskell Másson

Trio for brass
for trumpet, horn and trombone
Anthony Plog

4 Sketches
for brass quintet
Anthony Plog

Cascades
for euphonium solo
Allen Vizzutti

Canzona
for cello and piano
Richard Lane

Suite
for alto trombone and string quartet
Corrado Maria Saglietti

Elegy
for 12 violoncelli
Richard Lane

Jeux d’enfants
for flute and piano
Jean-François Michel

12 Short Preludes
for piano
Richard Lane

Petite Suite
for flute and piano
Caroline Charrière

Horn Fundamentals
for horn
Bruno Schneider

Grandfather’s watch
for piano
Lazar Saryan

Magnificat
for soprano, tenor, mixed choir, symphony orchestra and jazz quartet
Roland Szentpali

Pearls
for euphonium and piano
Roland Szentpali

So löschet der rächende Richter
from Cantata No. 90
for trumpet, bass voice and basso continuo
Johann Sebastian Bach

Elegy
for violin and piano
Richard Lane

2 Scenes
for flute and piano
Jean-François Michel

Ghost Riders
for 8 brass instruments
Kerry Turner
Our favorites

Sonatine
for horn and piano
Edgar Cosma

Intermediate Ensemble Outings
7 trios and 5 quartets
for 3 to 4 trumpets
Charles Reskin

8 Pièces
sur des contes d'Andersen
for piano
Ilia Chkolnik

Bruegel-Dance Visions
for tuba and chamber ensemble
Arthur B. Rubinstein

A Very Short Love Story
for trumpet and piano
Juraj Filas

ASA-Jazz
for trumpet
Rolf Quinque

Pilger und Fuchs
Commedia musicale, andante cantabile, ma pericoloso
for 6 solo voices and orchestra
Jost Meier

By Gaslight
for euphonium and piano
Tadeusz Kassatti

Tuba Concerto
for brass quintet (tuba solo)
James Stephenson

Cosmic Voyage
for tuba quartet
Michael Forbes

Moto Perpetuo
for violin and piano
Evzen Zamecnik

Sonata
for cello and piano
Svetlana Leontchik

Októ Nóvember
for string orchestra
Áskell Másson

Caprice
for flute and piano
Richard Lane

Petite musique de rue
for brass quintet
Tadeusz Kassatti

Freelance Dance
for flute and harpsichord
Stanley Friedman

Glarus
for string orchestra
Jost Meier

Alfasteinn
for piano
Áskell Másson
Bicinia
25 Renaissance Canons and Duets for 2 trumpets
Bicinia, two-part music of the Renaissance and early Baroque, were pieces frequently used for teaching of counterpoint and style. For modern trumpeters, they are challenging and valuable resources in the training of rhythmic flexibility, imitation, and musical expression. These editions include the addition of dynamics, articulations, and suggested tempi and style.
Concerto Grosso
La minore for tuba, strings and basso continuo
The first and second movements of these concerti are reminiscent of a typical instrumental concerto from the early 18th century. The final movements are usually humorous in character, and contain references to music of the present day, to Swiss folklore, and sometimes even to pop music and jazz. The present Concerto Grosso for Tuba, Strings and Basso Continuo is the sixth concerto in this series. Notable within the final movement, a fugue, is the easily recognizable folk song, Vo Lozärn gäge Wäggis zue [From Lucerne to Weggis]
Sounds of Generation Y, Part II
for cimbalom and symphony orchestra
The musical structures used in the composition are characteristic of the American minimalism in many of their aspects, making the piece more comprehensible even for an audience less familiar with contemporary classical music. Swedish pop music had a strong influence on the direction of chords sequences and the rhythmic ideas of my composition. However, it is important to note that my main purpose was not to make the orchestra play popular or dance music but to explore how the musical elements found in popular music can be integrated into the orchestral sounding.